Everything, And Nothing At All

There's a train behind everything these days, like a
humming tattoo underneath your skin, like the motion
of emotion from love at first sight to the wood-like
grain in the dream of loss. My brother is wading in a
glass-littered stream over by the window we planted
by the door. Do you hear him? He's singing, or cawing
like some engine I've installed wrong in the back of my
own head, a gimmick to watch myself watching things.
We all stay the same, my good friend says, but our
children keep getting bigger and older and strange.
We're in that limbo period, changing inside where the
whirring happens, where the gurgles never stop. And
the fire you wore behind your eyes has faded now with
the blue as the blue itself seeps out of things entirely,
rendering us blunt and nearly confused. Memory exists
outside the boundaries of your silence, eating the
hallways darker, yielding nothing. How are you?
Whoever are you? Mildew creeps across our teeth,
where night swells new. I loved you when you spoke to
me by simply muttering "you're silly, silly," and I loved
you when you used my name as though it were a thing,
utilitarian. Who are we, anyway, in this little life? I
woke up in my bedroom and felt the dew soaking my
hair. Who glances into you, sharp as any instrument,
when the colors have just started fading into dusk? A
tambourine is beaten by a crowbar in a virgin wood
while someone you lust for collects eggs in the
shadows. So you sing the mandolin song your mother
improvised the moment you were born, the exact
moment, in fact, you fell between her legs. Memories
become you like trees become a forest, never making
any noise unless the wind blows. Soon we will have
vanished. We know there is nowhere to go but into the
grain of things, into the dirt. Still, your teeth would feel
good at the back of my neck, your fingers would feel
sexy in my ribcage. So I offer you all the songs I know
by heart, all the news I've created by simply living, a
handful of glances and rebuffs. How many hours could
you dance, she asked, without falling down or melting
like snow? Whose life depends on it, I asked her then.
Your own! Then I would dance for ninety years, then
fall into that dark that is beyond that dark which is
beyond. I'd say I love you. I'd tell you the self in my
dreams is a grass man, a glass man, a song that found
body by singing and then sang harmony and then
harmony again--until, within these strands of song a
body appeared, feathered and scaled and covered with
human hair, afraid of everything and nothing at all.